The language that will be adopted starts from the body awareness developed by Martial Arts. To this will be added the theatrical approach as a full and total manifestation of the 'Comedy of Life' and the Transpersonal approach as heir to the great Spiritual Traditions of the Planet.

Theatrical styles are a manifestation of the range of feelings and states of mind that are part of the Human. An excavation within the feeling, thinking and acting along the course of the human story and its possible creative elaborations. An active and constructive way of entering into Fairy Tale and Myth to learn the lessons they hold for each of us. This proposal, while still rigorously martial in terms of language, includes a marked exploration of the creative possibilities of gesture, its declinations and the laying down of one's own personal motor and expressive matrix. A self-produced style where the work of art becomes the form of movement that the student responsibly discovers and perfects day by day. In this sense, the style of movement that a student "discovers" is his or her own gestural portrait and is at the same time a manifestation of the contents that he or she is acting out in the world. One's own movements speak for one naturally, as do one's posture, body shape, the sound of one's voice and so on. For this reason, much of one's inner self can be processed and elevated through movement.

Being fully responsible for one's actions in the world is possible when one is aware of gestures and emotions. This is knowing. One can then be free to achieve what really is by going beyond what one believes oneself to be.

Knowledge is Freedom.